esteliel: (Les Mis)
[personal profile] esteliel
So I took a lot of notes on my Kindle while reading the Brick and apparently a lot of my Valjean and Javert feels are wrapped up with Hugo's symbolism, which I guess is no surprise because Hugo is not exactly subtle there. Umm. I feel like this has probably all been said a billion times already because Hugo is just that unsubtle, but as I am late to the party and Tumblr must just be the worst place possible to find old meta, feel free to point out if I'm wondering about stuff that has been rehashed a hundred times already.

Read more... )
thjazi: Sketch of goofy smiling Enjolras (Default)
[personal profile] thjazi
Wow it's really quiet around here.

Uh.

So.

HOW ABOUT HUGO SHIFTING OVER ALMOST ALL HIS RADICALS TO BEING STUDENTS, WHAT'S UP WITH THAT.


(it's either that or I start trying to talk about Communion Meal parallels between dinner at the Bishop's and breakfast at the Corinth which is admittedly my current focus but I'm not sure how to even launch into that)


(if this were Tumblr I could tagnatter as I flee but it's not so BALL'S IN YOUR COURT GEN)
genarti: Fountain pen lying on blank paper, nib in close focus. ([misc] ink on the page)
[personal profile] genarti
Okay, I have a question for the Catholics and/or historical scholars around these parts! I am working on a fic, and the one scene that's keeping it from being finished is hung up on the fact that I know nothing about what confession would have been like for a Sister of Charity in France in the 1820s. I don't mean the exact rite -- I can find the Latin, but I can also write around that part; what I need to figure out are the relevant attitudes.

Google is no help, or I am insufficiently good at Google, because all I can find are a) very general modern explanations of confession, or b) equally modern encouragements for Catholics to go to confession more often. And being raised Episcopalian is in this case no use at all. So I turn to fandom at large.

My question is, of course, about Sister Simplice. My story picks up right after she tells her one major lie on Valjean's behalf, and covers some time afterwards, and it necessarily involves her going directly to talk to the curé of the parish about Valjean's money and Fantine and so forth. I don't need to write the confession scene, necessarily, but I need to know if she would have immediately taken confession about her lie, or what.

How does this work if you repent the sin but don't regret the act? What counts as contrition for this purpose? Are there other dimensions to consider in the church structure, with a non-cloistered nun and a parish priest, which would affect the timing or the fact of the confession? HOW DOES THIS WORK I DON'T KNOOOOW. I don't need 100% certainty, but I do need general plausibility, and I don't feel at all secure about what is and isn't plausible. All assistance gratefully welcomed! (All tangents also welcomed, on general principles.)

Genderswap

Jun. 29th, 2013 01:23 pm
miss_morland: (capable of being terrible)
[personal profile] miss_morland
I normally don't pay much attention to genderswap (nothing against it, just not a trope that grabs me), but it occurred to me that it might be interesting to discuss what various Les Mis characters would be like if genderswapped -- they are all shaped by their circumstances, but how would different circumstances (due to different gender roles) affect them? Would they still be recognisable as their canon selves?

For instance, 63!Valjean would not have been sent to a bagne. Would she end up spending 19 years in prison? Would she be able to build a Madeleine-like life for herself with the aid of the Bishop's silver? (I'm not up on the French rules for unmarried women owning property during this period.) 63!Fantine is hard for me to imagine to begin with, because Fantine's storyline is so specifically about the unfair way society treats unmarried women -- though I think I could believe in a story about 63!Fantine being a poor youth taking care of his little sister and being forced to become a male prostitute, if done well.

As for 63!Javert, I can see her turning into a typical stern spinster -- the sort who keeps a sharp eye on troublemakers and delinquents in her neighbourhood -- earning her daily bread in some low-paying but honest job. I'm not sure it would occur to her that a woman could join the police, because Javert is so preoccupied with following the norms of "respectable society"; the thought of a woman passing as a man and doing a man's work would probably shock her, though I think it's definitely an interesting scenario.

These are just some examples, though I'd love to see others. Also, these are just some hasty thoughts; feel free to disagree or elaborate!
melannen: Commander Valentine of Alpha Squad Seven, a red-haired female Nick Fury in space, smoking contemplatively (Default)
[personal profile] melannen
Some of us were recently discussing Jean Valjean, and it occurred to me to ask possibly the most important question that has ever been asked in fandom:

Who would win in a fight: Batman or Jean Valjean?

(Assume an equivalent tech level - either Batman is limited to his versions of 1830s tech or Valjean has access to modern stuff.)



...to start I think Valjean wins on the metrics of both tragic backstory and identity issues.
skygiants: Enjolras from Les Mis shouting revolution-tastically (la resistance lives on)
[personal profile] skygiants
So I keep wondering why Enjolras expects Marius to show up and be helpful in the Barriere du Maine scene; after all, we're told that after the Great Napoleon Debacle, Marius essentially storms off in a huff and never goes back to revolutionland again. Also, he is Marius. Myself, I can think of about four reasons:

1. Unreliable/ambiguous narrator: Marius had been hanging out with the gang before Napoleongate way more than the text implies.

2. Marius has not been hanging out with the gang, but Courfeyrac trusts him enough that he asks him to run errands sometimes when it would be useful to have an unfamiliar face show up, which he does because of the debt he feels he owes Courfeyrac, and Enjolras interprets this as Marius being way more interested in revolution than he actually is. This would actually be an interesting fic-premise -- Marius Pontmercies his way through a revolutionary errand he knows nothing about; hijinks ensue!

3. Enjolras really is JUST THAT DESPERATE. Maybe all the redshirt revolutionaries have gone home for the summer holidays. Or are dying of cholera.

4. Enjolras is not actually talking about our Marius at all, but about a friend of his named Jean or Pierre or Guifford Marius. Jean Marius has been very lax about showing up to meetings recently and we are VERY DISAPPOINTED in him.

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